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Tianzhuo Chen

asian_dope_boys

Artist / Combines elements of pop culture, religious symbolism, sacred rituals and self-deprecation

 

Tianzhuo Chen, G.H.O.S.T., 2017, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos
Tianzhuo Chen, G.H.O.S.T., 2017, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos

G.H.O.S.T. (2017), 19:53 (2015), Ishvara (2016), PARADI$E BITCH (2014)

In Tianzhuo Chen’s work, frenetic, futuristic, anime, spiritualistic, and video game signifiers of (contemporary) Asia meet in a mash-up of operatic volume and scope. The DJ music in the background, created by his collective Asian Dope Boys, with its rudimentary techno sound, could be the soundtrack of an alternative video game or Gabber party. Tianzhuo Chen’s main protagonist appears like a character out of a video game like Street Fighter or Ghost in the Shell, like a Nintendo-Dionysus, half-naked, half-covered in ornamental garments of sci-fi paraphernalia. Accompanying him in his performances and videos are other half-human, demon, cyborg, and queer characters. Like hallucinogenic figures of Tibetan Buddhism, they fill the exhibition space, turning it into a demonic night-club in which sensuality is visually striking, although it remains difficult to decipher whether the observed belongs to fetish, performance, fashion, or dance genres.

 

#asian #monster #techno #pop #futuristic #dance #anime #queer #Thangka


photos: Nysos Vasilopoulos, 6th Athens Biennale 2018 ANTI

G.H.O.S.T., 2017
Single channel video, 10'52'', edition of 5

19:53, 2015
Single channel HD video, 6'22'', edition of 5

Ishvara, 2016
Single channel 2K video, 124'2'', edition of 6

PARADI$E BITCH, 2014
HD video, 4'50'', edition of 5

Courtesy of Long March Space and the artist