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AnnaMaria Pinaka

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Visual Artist / Works mainly in video, photography, performance 

PhD in Porno-graphing: "dirty" subjectivities & self-objectification in contemporary lens-based art  

AnnaMaria Pinaka, 1, 2, 3, 4, 5, and 6, 2018, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos
AnnaMaria Pinaka, 1, 2, 3, 4, 5, and 6, 2018, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos
AnnaMaria Pinaka, 1, 2, 3, 4, 5, and 6, 2018, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos
AnnaMaria Pinaka, 1, 2, 3, 4, 5, and 6, 2018, 6th Athens Biennale 2018 ANTI, photo by Nysos Vasilopoulos

1, 2, 3, 4, 5, and 6 (2018)

AnnaMaria Pinaka's work explores how "porno-graphing" can mediate domestic life in ways that may empower sexuality and embodiment while challenging embedded representations. Unexpected sexualization of moments and relations, keeping a diary, embodying "dirtiness" and avoiding the spectacular may as well draft strategies to re-appropriate the pornographic and complicate binary systems of representation. For Pinaka, playing with pornographic strategies involves self-doubt, anxiety, loss of sovereignty, and occasionally resisting satisfaction or understanding. Pinaka’s visual space renders a "dirty" domesticity, challenging the distinction between "porn" and "high art"—a "dirtiness" extending to writing and academic research. At AB6, a series of erotic drawings, kept in the form of an informal diary, are treated as primary material for a mural.

 

#porn #highart #dirtiness #domesticlife #sexualization #diary

 


photos: Nysos Vasilopoulos, 6th Athens Biennale 2018 ANTI

1, 2, 3, 4, 5, and 6, 2018
Mural
Courtesy of the artist